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REBECCA WILCOX/
HANNAH ELLUL



THIRD PARTIES (2022)

CD, Chocolate Monk, UK




MOBILE RADIO: GLASGOW CALLING SCALE (2022)

Radio broadcast, Radiophrenia



The artist duo Mobile Radio (Sarah Washington & Knut Aufermann), from Ürzig in Germany, were invited to work with five Glasgow based artists/artist duos, each spending a day on an intensive collaboration that culminated in a live radio performance. Our collaboration with Mobile Radio was broadcast on 18 February 2022. More details can be found here.
 


SEASONAL BODIES (2022)

Cassette/digital, Steep Gloss, UK



Two live performances using voice and sounds overheard, manipulated, and synthesised.  

‘Interruptions’ was a new version of a work originally composed for Tectonics Festival 2021, recorded live for an online concert by Tone Glow and Experimental Sound Studio, Chicago. You can watch the performance online here.

March Trimmed Kicks was performed live for broadcast from Glasgow on Radiophrenia, in late 2020.  








Tectonics is the BBC Scottish Symphony Orchestra’s annual festival of new and experimental music. For this installment we presented a new live performance, ‘Interruptions’, that was shaped by the processes of collaboration and exchange that we had come to under lockdown. We also produced four short interruptions for the festival website. 



SWEEPING, AT LEAST (2021)

Download, Takuroku, UK



A collaboration with Rebecca Wilcox begun in early 2020, towards a performance at Tectonics festival, Glasgow (rescheduled for 2021).


A collaboration at a distance. After a lockdown was imposed, something like a conversation emerged in a to- and fro- of writing and recordings. We were interested in the dynamics of encounter, interaction and (dis)orientation. The process has been marked by the stretches of time that shape this back and forth, by a certain lag, as we catch up with one another—a slowed-down, stretched-out kind of experience that is perhaps characteristic of lockdown itself.  Most of the sounds come from close to hand, everyday, tactile objects, accidents, or routines. And from the body as it rubs, carries, plays, waits, dawdles with its surroundings. The voices are chatting, syncopating, trying to change position, getting in a mess
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